
To make a punch for toasting the health and success of the
new United States there could be no more appropriate vessel than this large
punchbowl with the central printed portrait titled GEORGE
WASHINGTON Esqr. President.
The white earthenware is transfer-printed in strong cobalt blue under a
bluish “pearlware” glaze. The exterior
is decorated with four groups of Chinese-style flowers similar to those found
on a popular pattern known as FitzHugh. The interior has a deep border with
scrolling panels of fretwork design with diamond shapes and pendants. In the
well of the bowl is the large portrait of George Washington commemorating his
presidency.
The interior border is recorded on a number of shapes
including bowls, plates, and jugs. At least two other similar bowls are known
with commemorative designs at the center of the interior. One is in the Victoria
& Albert Museum, London [1] and has a design of a medallion enclosing busts of King George III and Queen
Charlotte, with the inscriptions 'A KING REVERED A QUEEN BELOVED. LONG MAY THEY
LIVE” a bowl with a similar central print sold at Woolley and Wallis in September
2011. Another bowl with the same border depicts “His Royal Highness
FREDERICK DUKE of YORK, on horseback overseeing troops. Both of these central designs are known to
appear on mugs, printed in brown, sometimes highlighted with underglaze color.[2] The portrait of George Washington is based on a stipple
engraving by Edward Savage. In late 1789
to early 1790 Washington sat on a number of occasions for a portrait to be
painted in oil on canvas by Edward Savage for Harvard University. He is depicted in uniform with the badge of
the Society of the Cincinnati on his lapel. In
1791 Savage went to London where he is said to have studied under Benjamin West
and while in London, he stipple engraved and published a print after his own
painting of Washington.The print is inscribed Painted & Engraved by E Savage.
George Washington Esqr. President of the United States of America. From the
Original Picture Painted in 1790 for the PhilsosophicalChamber at the
University of Cambridge in Massachusetts. Published Feby. 7, 1792 by E Savage,
No.29 Charles Street, Middx.Hospital. Having been printed in London, this
engraving would have been an easy purchase for a potter wishing to pursue the
increasing and lucrative trade with America.
While it is not possible to
say with any certainty who made this piece, it is possible that it was made by
John Harrison who made the plate also discussed on this site, as plates impressed
IH
and decorated with a similar printed border have been recorded[3],
but such an attribution is at best tentative. [1] http://collections.vam.ac.uk/item/O282665/bowl/ [2] Holdaway,
Minnie. 2001. Hollins blue & white printed earthenware.
[London]: Morley College Ceramic Circle. Pl. 2.15 [3] Holdaway, Minnie. 2001. Hollins blue
& white printed earthenware. [London]: Morley College Ceramic Circle,
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Exterior view and detail of interior border pattern of the bowl with the portrait of George Washington Winterthur collection 

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